by Renee Tomell
Source: On the Go Online : Suburban Life Publications

Breaks both good and bad helped launch Frank Catalano into the stratosphere among saxophone players. The Hanover Park native graduated in 1999 from DePaul University with a degree in classical composition. A performer, composer and recording artist, he is also a well-known arranger whose music is licensed for television and film. He has played with artists from Miles Davis and Tony Bennett to Destiny’s Child, and this spring with Seal on Oprah’s show. (more…)

by Ted Gioia

If there were any more blood and grit in Frank Catalano’s sax tone, they would need to send it to the M.A.S.H. unit for cleansing and dressing. This track starts with an Ayler-esque scream and finishes with a very astringent coda. In between, you will find many shrieks and growls and—yes!—quite a bit of raw soulfulness. The rhythm section bounces along from the opening measure, making you think they would rather be playing anything except a ballad. But the saxophonist hardly minds, since he had no intention of getting blue and sentimental. Many tenor legends have tackled this song before, but none of them has quite slapped it around the way Catalano does. Listen to it while you can—he may get a restraining order tomorrow.

by Bill Meredith
Source:Jazz Times

Every musician’s playing is an extension of his or her personality, and tenor saxophonist Frank Catalano’s natural exuberance is on display throughout his sixth CD, BANG! The Chicago native draws from a hometown hero in saxophonist Von Freeman, an early mentor in organist Charles Earland, and plenty of R&B as he plays the way he talks, in short, barely controlled bursts. Most of the 10 tracks on BANG! are four minutes or less. (more…)

by Amber Holst
Source:North Shore Magazine

If you ask 28-year-old jazz prodigy Frank Catalano, the youngest saxophonist ever voted into the “Downbeat Critics Poll,” when he knew he was going to dedicate his life to the sax, he’ll tell you it was at age 17, shortly after he got himself kicked out of the Kenilworth Country Club.

This was, of course, before Catalano performed for audiences as Far away as China and recorded his fifth album, They Mighty Burner, which debuted at No.11 on Billboard’s Top Jazz charts last May. (more…)

by Howard Reich
Source:Chicago Tribune

More than a decade ago, a teenage Chicago saxophonist startled audiences with the rough-hewn brilliance and energy of his playing. The question was whether he would build on the promise of his debut or simply fade away, as most prodigies do, whether he could find a way of turning the youthful ardor of his playing into something deeper and more distinctive.

Frank Catalano answered the question definitively over the weekend at the Green Mill Jazz Club, where he celebrated the release of a new recording and launched a lengthy run of Chicago appearances. Though he hasn’t lost any of the fervency of his earliest performances, he now conveys an unmistakable intellectual heft and authority. More important, he sounds as if he’s on the verge of forging a self-styled, autobiographical musical language. (more…)

by Ron Netsky
Source:Rochester City News

Most saxophonists these days are so cerebral they have all but forgotten the fun, honking side of the instrument. Young Chicago sax man Frank Catalano plays with the best of the serious jazz masters, but he has also absorbed healthy doses of King Curtis and Maceo Parker. On The Mighty Burner, he comes out of the gate racing through the title tune, a tribute to organist Charles Earland. (Earland was just one of the greats this 27-year-old phenom toured with while still in his teens.)

Catalano never slows down to breathe, but he is by no means one-dimensional. In fact, when he really gets fired up on original compositions like “Love Bugaloo” and “ Tuna Town ,” Catalano can veer away from the muscular melodies right to the edge of dissonance. It’s a tour-de-force performance, effortlessly gliding through the instrument’s split personality to a perfect landing. His band-mates — Vijay Tellis-Nayak, piano; Matt Thompson, bass; Robert Gay, drums (and Greg Spero, keyboards and Shawn Sommer, bass on one track) — are more than up to the funky task. When the album’s over, expect to feel like you’ve run a glorious marathon.

by Mark Corroto

If I were a saxophonist, I certainly would want to be Maceo Parker for a day. Frank catalano Certainly had the long-time James Brown sideman on his mind when he recorded Mighty Burner.

With three fine Delmark hard bop discs under his belt, the twenty-something Chicagoan unleashes this crowd-pleasing live session. He takes no pauses, focusing on quartet music, soloing liberally and barely pausing for a minimal drum solo by Robert Gay. The title track is a rocked-out blues that presses the accelerator continuously. Jazz snobs certainly should avoid the funky music laid down here. Catalano plays bar-walking pleasers throughout. (I think Mr. Coltrane dipped his big toe into some of this pleasure early on too.)

If Catalano weren’t a major talent on the saxophone, this guilty pleasure of an album would call for a pass. But he tosses some smart blues improvisation within the honking on “Burner’s Blues,” and the funk lays heavy on “God’s Love For Music,” with some sizzling electric keyboard and bass backing. While the disco remix tacked onto the end is very forgettable—did somebody call for a 1970s soundtrack?—the live tracks are a jazz fan’s guilty pleasure.